Large Tea Cups

If you love a bigger serve of your favourite brews then big tea cups are for you. At Hey China, our big china tea cups combine traditional craftsmanship with modern practicality for those who like a bigger tea drinking experience. You can browse our entire range of big china tea cups to find the perfect match for your needs.

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78 Products

  • Shuiyue White Slip GaiwanShuiyue White Slip Gaiwan Out of Stock
    $49.99

    The Shuiyue White Slip Gaiwan is crafted using the traditional white slip (Fun’iki) technique, featuring a refined blue-gray glaze with a naturally flowing surface texture. The interplay of light and shadow on the lid and body resembles the serene reflection of the moon on water, exuding a poetic and tranquil beauty. The textured exterior, with its delicate gradations of color, evokes gentle ripples on a lake, while the smooth, white-glazed interior provides a striking contrast, enhancing the visual appeal of tea.

    Design Highlights:

    • White Slip Technique: This traditional method allows the natural clay to softly emerge through the glaze, creating an organic, hand-brushed effect, making each piece unique.
    • Blue-Gray Glaze: A subdued yet elegant glaze that shifts between blue and gray, reminiscent of moonlight shimmering on water, conveying a quiet, meditative charm.
    • Smooth Interior Glaze: The inner walls are coated with a glossy, jade-like white glaze, contrasting beautifully with the textured exterior and enhancing the clarity of the tea.
    • Comfortable Grip: The gently flared rim ensures a comfortable hold, allowing for smooth pouring without burning the fingers.
    • Minimalist Lid Knob: The square-shaped lid knob adds a contemporary yet subtly traditional touch, harmonizing with the overall design.

    The Shuiyue White Slip Gaiwan is more than just a practical tea vessel—it is an artistic expression of tranquility and refinement. Its understated presence makes it an ideal companion for tea appreciation, creating an immersive and meditative experience with every brew.

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  • Handwritten Poetry Horseshoe-shaped GaiwanHandwritten Poetry Horseshoe-shaped Gaiwan
    $20.99

    This Horseshoe-shaped Gaiwan features a distinctive design with smooth, flowing lines, embodying a balance of strength and elegance. The gaiwan has a refined off-white appearance, with a glaze that is warm and jade-like to the touch, exuding a subtle and serene charm.

    Design Highlights:

    • Horseshoe Shape: The body gently tapers downward, forming a stable and well-proportioned silhouette reminiscent of a horse’s hoof, symbolizing steady progress and prosperity.
    • Slightly Flared Rim: Designed for comfortable handling, it ensures smooth pouring while preventing burns, enhancing the overall user experience.
    • Unique Lid Knob: The hollowed-out triangular knob is both aesthetically pleasing and practical, making it easy to lift and handle.
    • Handwritten Poetry: The outer rim of the gaiwan is adorned with elegantly hand-painted poetry, featuring bold and expressive strokes, adding cultural depth and artistic refinement to the piece.

    This Horseshoe-shaped Gaiwan blends functionality with artistic beauty. Whether for daily tea brewing or a refined tea gathering, it elevates the tea experience, turning each session into a tranquil and delightful ritual.

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  • Serene White GaiwanSerene White Gaiwan Out of Stock
    $18.99

    This gaiwan is meticulously crafted from high-white clay, featuring an unadorned, pure white body with a smooth, soft luster, exuding a sense of simplicity and elegance. The fine texture of high-white clay offers excellent breathability, allowing tea to fully develop its aroma and layers, resulting in a richer and more refined taste.

    Designed with flowing lines, the Gaiwan’s slightly rounded body and subtly flared rim ensure a comfortable grip, preventing scalding while pouring. The lid knob is rounded and well-proportioned, fitting comfortably between the fingers for easy handling. The foot of the gaiwan is perfectly balanced, ensuring stability while enhancing both aesthetics and practicality.

    Its understated yet refined design, devoid of excessive embellishments, showcases the pure beauty of teaware. Whether used for mindful tea appreciation or as part of a daily tea ritual, this Pure White Gaiwan offers a serene and tranquil tea experience.

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  • Pure White GaiwanPure White Gaiwan
    $32.99

    This gaiwan is meticulously crafted from high-white clay, featuring an unadorned, pure white body with a smooth, soft luster, exuding a sense of simplicity and elegance. The fine texture of high-white clay offers excellent breathability, allowing tea to fully develop its aroma and layers, resulting in a richer and more refined taste.

    Designed with flowing lines, the Gaiwan’s slightly rounded body and subtly flared rim ensure a comfortable grip, preventing scalding while pouring. The lid knob is rounded and well-proportioned, fitting comfortably between the fingers for easy handling. The foot of the gaiwan is perfectly balanced, ensuring stability while enhancing both aesthetics and practicality.

    Its understated yet refined design, devoid of excessive embellishments, showcases the pure beauty of teaware. Whether used for mindful tea appreciation or as part of a daily tea ritual, this Pure White Gaiwan offers a serene and tranquil tea experience.

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  • Sui Xiao Apricot White GaiwanSui Xiao Apricot White Gaiwan
    $15.99

    Our Apricot White Gaiwan is a masterful blend of elegance and minimalism, designed for those who appreciate the beauty of simplicity. It is:

    • Elegant Apricot White Color: The soft, soothing hue of apricot white adds a touch of sophistication to your tea experience, blending seamlessly with any decor.
    • Minimalist Design: Each piece in this Gaiwan is crafted with clean lines and a sleek, unembellished appearance, reflecting the pure essence of minimalism.
    • Simple and Functional: The design prioritizes functionality without compromising on style, ensuring a seamless and enjoyable tea-making process.
    • Wide Rim: Not easy to scald.

    Whether you’re enjoying a quiet moment alone or hosting a tea ceremony with friends, this Apricot White Gaiwan is perfect for any occasion. Its timeless design and high-quality craftsmanship make it a beautiful addition to any home.

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  • Round Harmony Glass Fair CupRound Harmony Glass Fair Cup Out of Stock
    $13.99

    This Round Harmony Fair Cup is meticulously crafted from Gaopeng glass, featuring a flawless transparency that embodies both minimalism and warmth. The cup’s rounded and full-bodied form resembles a droplet gracefully holding tea, with smooth and natural curves symbolizing harmony and completeness. The pure, crystal-clear glass allows the tea’s color to be fully appreciated, enhancing the visual pleasure of the tea-drinking experience.

    Design Highlights:

    • Gaopeng Glass Material: Highly heat-resistant and suitable for hot tea infusions, it remains clear and pristine even with long-term use.
    • Smooth, Rounded Body: The naturally flowing curves provide both aesthetic appeal and an ergonomic grip, improving user comfort.
    • Precision Spout: The uniquely curved spout ensures smooth, drip-free pouring, offering better control over the water flow for a refined tea-serving experience.
    • Lightweight and Comfortable: With a well-balanced glass thickness, the cup retains durability while maintaining a lightweight feel, ensuring a comfortable grip without the risk of overheating.

    More than just a practical tea accessory, this Round Harmony Fair Cup is an expression of tea artistry. Whether used for daily tea sessions or as part of an elegant tea ceremony, it adds a touch of tranquility and refinement, elevating the overall tea-drinking experience.

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  • Hand Painted Cyan Tail Grass Sancai GaiwanHand Painted Cyan Tail Grass Sancai Gaiwan Out of Stock
    $22.99

    This three-cup cover is hand-painted and baked at high temperature. The entire cover is presented in an elegant antique blue colour.

    The antique blue glaze is a treasure in the traditional porcelain-making craft of the Han ethnic group and is most distinctive in the Song Dynasty. It is mainly composed of “iron” as the colouring element, and under the high-temperature reduction flame conditions, it presents a series of blue and green colours of varying depths, showing a strong Song-style charm.

    The glaze is smooth and lustrous, adding a touch of brilliance to your tea ceremony.

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  • Yuanwu Glass Fair CupYuanwu Glass Fair Cup Out of Stock
    $13.99

    This fair cup is elegant, pure, simple and transparent. The cup body is smooth and crystal clear. The rim of the cup is designed in the shape of a peach heart, and the smooth lines make it more radiant in the light and shadow. The high-boron glass material is resistant to cold and heat and can withstand sudden changes in temperature. The unique design makes your tea ceremony more enjoyable to the eye.

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  • Handmade Wood Fired Kiln Altered Soy-Coloured TeacupHandmade Wood Fired Kiln Altered Soy-Coloured Teacup Out of Stock
    $22.99

    This teacup is baked by firewood and is made by both of kiln-fired glaze variations and cracked glaze craft. Because kiln alteration techniques enable an exciting and dynamic way to create different blue colour glazes on this teacup, each teacup is unique and made by hand, with no two being exactly alike. The phenomenon of crystal formation caused by kiln altered in a cup, commonly known as “crystal flowers”.

    Besides that, the unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, and then resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea drinking experience.

    It has:

    • Unique Appearance: The master cup features a simple and elegant design with smooth lines and a rounded rim. The surface displays a soy-colored kiln-altered effect, with naturally transitioning colors and rich glaze variations, offering a visual delight.
    • High-Temperature Kiln Altered Technique: This master cup is made using traditional high-temperature kiln-altered techniques. The prolonged high-temperature firing process creates unique glaze colors and textures. Each cup has a one-of-a-kind kiln-transmutation effect, making it an irreplaceable piece of art.
    • Exquisite Handcraftsmanship: The master cup is handcrafted by experienced artisans, with every detail meticulously polished. The cup body is smooth and delicate, providing a comfortable grip, making it both practical and beautiful.
    • Strong Practicality: This master cup is not only aesthetically pleasing but also highly practical. Its moderate capacity is perfect for enjoying tea, allowing the full release of the tea’s aroma and flavor. The rounded rim provides a comfortable drinking experience.
    • Cultural Symbolism: The soy-colored kiln-altered patterns on the cup body are not only beautiful but also embody the natural imagery of traditional Chinese culture, symbolizing tranquility and harmony. This cultural element adds profound cultural significance to the master cup.
    • Combination of Aesthetics and Function: This master cup is suitable for both daily use and as a collectible art piece. Its unique aesthetic design and practical functionality enhance the tea-drinking experience while also serving as a decorative item to beautify living spaces.

    Attention:

    • Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
    • The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
    • Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
    • Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
    Read more
  • Handmade Wood Fired Kiln Altered Blue Tea CupHandmade Wood Fired Kiln Altered Blue Tea Cup Out of Stock
    $22.99

    This teacup is baked with firewood and is made of both kiln-fired glaze variations and cracked glaze craft. Because kiln alteration techniques enable an exciting and dynamic way to create different blue colour glazes on this teacup, each teacup is unique and made by hand, with no two being exactly alike. The phenomenon of crystal formation is caused by kiln altered in a cup, commonly known as “crystal flowers”.

    Besides that, the unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, then resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea drinking experience.

    Attention:

    • Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
    • The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
    • Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
    • Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
    Read more
  • Sliver-trimmed Chinese Orchid GaiwanSliver-trimmed Chinese Orchid Gaiwan
    $31.99

    This sliver-trimmed Gaiwan exemplifies the beauty of traditional Chinese teaware, characterized by its elegant design and intricate detailing.

    Features:

    • Porcelain Body: The Gaiwan is crafted from high-quality porcelain, ensuring a smooth, refined surface that enhances the tea-drinking experience. The porcelain’s delicate nature adds an air of sophistication.
    • Hand-Painted Design: The Gaiwan features a hand-painted Chinese orchid motif, rendered in soft, natural hues. This artwork brings a sense of natural beauty and tranquility, capturing the essence of traditional Chinese aesthetics.
    • Silver Trim: The rim of the Gaiwan is accented with a fine silver trim, adding a touch of elegance and refinement. This detail enhances the visual appeal and highlights the meticulous craftsmanship.
    • Minimalist Elegance: The simple yet graceful design reflects minimalist aesthetics, making this Gaiwan suitable for both traditional and contemporary tea settings. Its understated elegance ensures it blends seamlessly into any decor.

    This Gaiwan is perfect for those who appreciate the art of tea-making and the beauty of traditional craftsmanship. Whether used for personal enjoyment or shared during tea gatherings, it enhances the tea experience, combining function with artistic elegance.

    Add to cart
  • Handmade Wood Fired Kiln Altered Red Tea CupHandmade Wood Fired Kiln Altered Red Tea Cup Out of Stock
    $22.99

    This red teacup is baked with firewood and is made of both kiln-fired glaze variations and cracked glaze craft. Because kiln alteration techniques enable an exciting and dynamic way to create different red colour glazes on this teacup, each teacup is unique and made by hand, with no two being exactly alike. The phenomenon of crystal formation is caused by kiln altered in a cup, commonly known as “crystal flowers”.

    Besides that, the unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, and then resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea drinking experience.

    Attention:

    • Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
    • The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
    • Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
    • Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
    Read more
  • Thin Porcelain Okra Flower Gaiwan with Silver TrimThin Porcelain Okra Flower Gaiwan with Silver Trim Out of Stock
    $35.99

    Experience the elegance and refined craftsmanship of our Thin Porcelain Okra Flower Gaiwan with Silver Trim. This exquisite piece is a testament to traditional artistry and meticulous attention to detail.

    It is perfect for tea enthusiasts who appreciate the delicate art of tea brewing. The intricate okra flower design, paired with the elegant silver trim, creates a stunning visual contrast that enhances the beauty of this traditional piece.

    The thin porcelain body ensures a refined and smooth tea-drinking experience, allowing the true flavors and aromas of your tea to shine through. The ergonomic design ensures that handling the gaiwan is a pleasure, making your tea ceremony both enjoyable and memorable.

    Whether you are brewing tea for yourself or sharing it with friends, the Thin Porcelain Okra Flower Gaiwan with Silver Trim promises an exquisite tea experience, steeped in tradition and elegance.

    Features:

    • Wide Rim: This special design is to avoid scald when brewing tea.
    • Thin Porcelain Body: Crafted from delicate, thin-walled porcelain, this Gaiwan is lightweight yet durable, offering a perfect balance between strength and elegance.
    • Okra Flower Design: Adorned with intricate blue okra flower patterns, each gaiwan is a unique work of art, bringing a touch of nature and beauty to your tea ceremony.
    • Silver Trim: The rim of the gaiwan is elegantly finished with a silver trim, adding a sophisticated touch and enhancing its visual appeal.
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  • Hand Painted Begonia Thin GaiwanHand Painted Begonia Thin Gaiwan Out of Stock
    $31.99

    This thin hand-painted Gaiwan is as transparent as jade, adorned with a traditional Chinese pattern – the peony, which represents happiness and contentment. The design of the lipped mouth extends the curvature of the lid, making it less likely to scald one’s hand during use.

    The glossy glazed surface of this Gaiwan and its fine and delicate texture exudes a peaceful and gentle sensation. The hand-painted colourful pattern is vivid and lifelike, making it the perfect companion for daily tea drinking.

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  • Apricot White Hexagon GaiwanApricot White Hexagon Gaiwan Out of Stock
    $22.99

    This hexagonal Gaiwan presents smooth lines at every corner, displaying an elegant shape. It is glazed with a warm and soft apricot white colour, making the entire Gaiwan warm and soft. The glazed surface is as smooth as silk, tempting people to touch its polished surface. The overall shape of the Gaiwan is simple yet elegant, making people want to taste a warm cup of tea and enjoy a peaceful moment.

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  • Hand Painted Antique Clay Glaze Goji GaiwanHand Painted Antique Clay Glaze Goji Gaiwan Out of Stock
    $71.99

    This Gaiwan is made with antique clay glaze, which gives it a smooth and lustrous surface, as well as a thick and sturdy body, evoking a sense of ancient elegance, tranquillity, and warmth. The hand-painted pictures are lively and natural, depicting the goji berries with lifelike accuracy.

    Goji berries, a small orange-red fruit with a long history in China, symbolize auspiciousness and happiness. The elongated fruits of goji berries are fiery red in color, hence in China, goji berries are regarded as a symbol of celebration and joy. The fiery red goji berries represent good luck and signify a life filled with prosperity and vitality.

    Furthermore, the Gaiwan is crafted using the overglaze colour painting craft, which produces pure, vibrant, and full colours. Since Gaiwan is hand-painted by an artist, every piece is unique and machine-printed decals cannot compare with.

    Read more
  • Ruyi Jade White GaiwanRuyi Jade White Gaiwan Out of Stock
    $14.99

    This Gaiwan is light and thin, the rim of it is wide which is not easy to scald. It has a lustrous, translucent quality that gives it a unique and almost ethereal appearance.

    In terms of design, white ceramic teaware is often kept simple and understated, allowing its natural beauty to shine through. Its clean lines and minimalist style can create a sense of calm and tranquillity, making it the perfect choice for those who wish to fully immerse themselves in the tea-drinking experience.

    Read more
  • Handmade Heart-shaped Kiln Altered Blue Tea Cup NewHandmade Heart-shaped Kiln Altered Blue Tea Cup New
    $19.99

    This handmade celadon chicken heart cup features a beautiful blue glaze that is created through the kiln altered baking process. During this process, the temperature and atmosphere inside the kiln are carefully controlled to produce variations in colour and texture on the surface of the pottery.

    The resulting blue glaze on this cup is a stunning example of the unique and unpredictable effects that can be achieved through this ancient technique. The subtle variations in shade and texture give the cup a natural and organic feel, and the delicate chicken heart shape adds a touch of whimsy and charm.

    Crafted with meticulous attention to detail, this cup is entirely handmade and one-of-a-kind. Its smooth, rounded shape feels comfortable in the hand, and the rich, blue glaze adds depth and dimension to the surface.

    Attention:

    • Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
    • The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
    • Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
    • Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
    Add to cart
  • Handmade Heart-shaped Kiln Altered Green Tea CupHandmade Heart-shaped Kiln Altered Green Tea Cup
    $19.99

    This handmade celadon chicken heart cup features a beautiful green glaze that is created through the kiln-altered baking process. During this process, the temperature and atmosphere inside the kiln are carefully controlled to produce variations in colour and texture on the surface of the pottery.

    The resulting green glaze on this cup is a stunning example of the unique and unpredictable effects that can be achieved through this ancient technique. The subtle variations in shade and texture give the cup a natural and organic feel, and the delicate chicken heart shape adds a touch of whimsy and charm.

    Crafted with meticulous attention to detail, this cup is entirely handmade and one-of-a-kind. Its smooth, rounded shape feels comfortable in the hand, and the rich, green glaze adds depth and dimension to the surface.

    Attention:

    • Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
    • The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
    • Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
    • Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
    Add to cart
  • Hand Painted Antique Clay Glaze Bamboo GaiwanHand Painted Antique Clay Glaze Bamboo Gaiwan
    $74.99

    This Gaiwan is made with antique clay glaze, which gives it a smooth and lustrous surface, as well as a thick and sturdy body, evoking a sense of ancient elegance, tranquillity, and warmth. The hand-painted strokes are lively and natural, depicting the bamboo forest and rocks with lifelike accuracy.

    The Chinese bamboo forest and rocks have profound symbolic meanings in culture and art. The bamboo forest symbolizes resilience and humility. Bamboo is known for its strong vitality and flexible nature, able to withstand harsh winters and remain upright. This characteristic has made bamboo a symbol of traditional virtues in China, including perseverance, resilience in adversity, and modesty. Additionally, the bamboo forest is often seen as a place of seclusion, representing the pursuit of inner freedom and tranquillity. Rocks, on the other hand, symbolize stability and steadfastness. In Chinese art, rocks are frequently depicted as rugged, majestic, and serene. They represent the eternal and unchanging aspects of the natural world, as well as the values of determination and stability that people strive for in life. Rocks are also seen as symbols of wisdom and longevity, standing tall and unwavering despite the passage of time.

    Furthermore, the Gaiwan is crafted using the overglaze colour painting craft, which produces pure, vibrant, and full colours. Since Gaiwan is hand-painted by an artist, every piece is unique and machine-printed decals cannot be compared with.

    Add to cart
  • Handwriting Jade White Sancai GaiwanHandwriting Jade White Sancai Gaiwan Out of Stock
    $32.99

    Porcelain with jade-white glaze, presenting a warm and smooth texture like jade and silk. As for its colour, the porcelain usually appears in a light creamy white, which, under the light, exhibits a slight transparency. The handwritten poetry adds a literary charm to this Gaiwan. Its clean lines and minimalist style can create a sense of calm and tranquillity. This beautiful Gaiwan even without tea inside, can enhance the home’s elegant atmosphere simply by being just displayed on a shelf. It is a perfect choice for those who wish to fully immerse themselves in the tea-drinking experience.

    Read more
  • Hand Painted Hydrangea GaiwanHand Painted Hydrangea Gaiwan Out of Stock
    $24.99

    This hand-painted hydrangea flower Gaiwan is made with an antique blue glaze as its base combined with an antique blue underglaze colour craft.

    The antique blue glaze is a treasure in the traditional porcelain-making craft of the Han ethnic group and is most distinctive in the Song Dynasty. It is mainly composed of “iron” as the colouring element, and under the high-temperature reduction flame conditions, it presents a series of blue and green colours of varying depths, showing a strong Song-style charm.

    Read more
  • Handmade Vintage Hydrangea Fair CupHandmade Vintage Hydrangea Fair Cup Out of Stock
    $17.99

    This fair cup is blue glazed with hand-painted hydrangea on it. The shape of the fair cup follows traditional aesthetic design elements, with a classic unique shape.

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  • Handmade Wood Fired Kiln Altered Snow Fair CupHandmade Wood Fired Kiln Altered Snow Fair Cup Out of Stock
    $29.99

    This fair cup was baked with firewood and was made of both kiln-fired glaze variations and coloured & cracked glaze craft. Each one is unique and handmade – no two being exactly alike.

    The overall design of this fair cup is simple and unsophisticated. The unique cracked glaze technique used creates beautiful patterns on the cup’s surface. Over time as it is soaked with tea soup, then resulting variations in the pattern make each piece truly outstanding and add more enjoyment to the tea-drinking experience.

    Attention:

    • Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
    • The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
    • Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
    • Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
    Read more
  • White Jade Gentleman Fair CupWhite Jade Gentleman Fair Cup Out of Stock
    $13.99

    This beautiful fair cup is made of Kaolin clay which has a smooth and delicate texture. It has a lustrous, translucent quality that gives it a unique and almost ethereal appearance.

    In terms of design, white jade ceramic teaware is often kept simple and understated, allowing its natural beauty to shine through. Its clean lines and minimalist style can create a sense of calm and tranquillity, making it the perfect choice for those who wish to fully immerse themselves in the tea-drinking experience.

    Read more
  • Blue and White Lotus Motif Master Master TeacupBlue and White Lotus Motif Master Master Teacup
    $345.99

    This teacup takes the classic form of a master’s master teacup with a censer-like profile. The rim flares slightly outward, the belly is full, and the foot ring is steady and well balanced. The overall lines are simple and dignified, lending an elegant presence on the tea table.

    The outer wall is painted in blue and white with entwined lotus motifs, with branches and blossoms interwoven, symbolizing continuity and vitality. At the bottom of the interior lies a single lotus, its full bloom and spreading petals representing purity, integrity, and auspiciousness. This design approach of outer complexity and inner simplicity not only enhances its decorative beauty but also carries cultural meanings rooted in Confucian and Buddhist traditions.

    The blue coloration is pure and refined, the contrast of blue and white crisp and harmonious, with a glossy and smooth glaze. Whether admired on a desk or used during tea gatherings, it reflects the taste and elegance of its owner.

    As a master master teacup, it serves not only as the exclusive tea vessel signifying the host’s role in a tea setting but also as a symbol of etiquette and respect during refined gatherings.

    Add to cart
  • Doucai Butterfly and Flower Horseshoe Shape GaiwanDoucai Butterfly and Flower Horseshoe Shape Gaiwan Out of Stock
    $482.99

    This exquisite Gaiwan from Jingdezhen showcases the traditional Doucai technique, featuring a unique horseshoe-shaped body. The flared rim and flowing lines create an elegant silhouette that fits naturally in the hand—comfortable to hold, heat-insulated, and aesthetically refined.

    The piece is themed around the classic motif ‘Butterfly Loves the Flower’ with hand-painted butterflies fluttering gracefully among swaying floral branches. The composition is airy and poetic, expressing an ethereal charm. In Chinese culture, this motif has long symbolised romantic love, freedom of the soul, and vitality. In classical poetry and art, butterflies often represent delicate emotions and mutual affection, while flowers signify beauty and ideal moments—together, they portray love’s longing and fulfilment.

    Crafted using the Doucai method—an imperial decorative style originating in the Ming Dynasty’s Chenghua period—the process is intricate. First, outlines are painted in underglaze cobalt blue and fired at high temperature. Then, overglaze enamels are applied to add colour before a second low-temperature firing. The result is a harmonious interplay of subdued blue and vibrant enamel tones, with rich layers and refined softness. Doucai is celebrated as a pinnacle of Chinese ceramic artistry, known for its elegance and depth.

    The Gaiwan’s lid, bowl, and saucer are proportioned with precision. The gently rounded rim is smooth to the touch and slightly flared to prevent burns, offering a pleasant handling experience. This Doucai Gaiwan is not only a functional teaware piece but also a collectible artwork steeped in cultural and aesthetic significance—ideal for daily tea sessions, refined tea tables, or as a meaningful gift.

    Whether enjoyed in solitary serenity or shared with friends, it brings a touch of poetic grace to each moment of tea.

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  • Hand Painted Yuan Sheng Lian Xi GaiwanHand Painted Yuan Sheng Lian Xi Gaiwan
    $456.99

    This Gaiwan is made in the style of the Yuan dynasty blue and white porcelain, completely handmade and hand painted. The pattern of “一鹭莲科” or “一路连科” in Chinese culture is derived from the beautiful combination of the heron and lotus leaves. As “鹭” (heron) and “路” (path/road) have the same pronunciation, and “莲” (lotus) sounds like “连” (successive/continuous), the name “一路连科” is a play on words that conveys the beautiful meaning of the pattern. In ancient times, successive successful candidates in the imperial examinations were called “连科,” and “一路连科” is a good wish for students to have a smooth career path and achieve success step by step.

    For Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

    The evolution of Yuan blue and white is based on the foundation of Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using the pigment made from domestic materials.

    The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

    While this Lian Sheng Yuan Xi Gaiwan retains the bold and rich coloration of classic Yuan blue and white porcelain, its tin-spot effect is relatively subtle, giving it a more delicate and refined appearance. The overall aesthetic is graceful and elegant, embodying a scholarly charm. Compared to the traditionally bold and unrestrained Yuan blue and white style, this piece leans towards a more understated and sophisticated aesthetic, blending classic heritage with a softer, more literary elegance. It brings a sense of warmth and refinement to any tea session, offering a harmonious balance between history and artistry.

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  • Hand-Painted Fish and Waterweed Gaiwan with Incised DesignHand-Painted Fish and Waterweed Gaiwan with Incised Design
    $390.99

    This Yuan-style blue and white fish-and-waterweed gaiwan is crafted using traditional Jingdezhen underglaze blue techniques. The body is sturdy, with a well-balanced form that exudes classical elegance. On the outer surface, vivid hand-painted carp swim gracefully among waving aquatic plants. The composition is lively and natural—the fish scales are delicately rendered, and the water plants sway in dynamic rhythm, revealing the artist’s refined brushwork and artistic finesse.

    What sets this piece apart lies within: the interior of the gaiwan features an intricately incised design of fish and weeds, subtly hidden beneath the glaze. As light moves across the surface, the design gradually emerges like a submerged relief, as if the fish are gliding beneath the tea, adding a poetic and graceful charm to the tea experience.

    The special pattern of this teacup is fish and seaweed. Since ancient times, fish and seaweed motifs have been traditional decorative patterns in ceramics, representing auspiciousness and carrying rich cultural and aesthetic meanings. The homophonic association between fish and the Chinese word for “surplus” (yu) makes fish a symbol of abundance and wealth. Fish motifs are often used to convey the meaning of “abundance and surplus,” “prosperity year after year” (as the pronunciation of fish is similar to that of “surplus” in Chinese), and “auspicious celebrations and abundance.” The fish and seaweed motifs typically feature fish as the central element, with additional decorations such as water plants, forming a variety of decorative patterns. The depiction of four swimming fish in the artwork symbolizes the concept of “surplus in all four seasons,” representing a year-round surplus, which carries a highly positive connotation. Such motifs are not only favoured by the royal court but also beloved by people from all walks of life as auspicious decorations. The flexible composition, auspicious symbolism, and abundant variations of fish and seaweed motifs have made them timeless classics throughout different eras.

    For Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

    The evolution of Yuan blue and white is based on the foundation of Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using the pigment made from domestic materials.

    The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

    This gaiwan has a thick body and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this teacup a unique artistic charm. The blue and white fish & seaweed pattern is vivid, showcasing ancient cultural and aesthetic values, allowing people to immerse themselves in a beautiful artistic atmosphere while enjoying their tea.

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  • Hand Painted Yuan Sheng Lian Xi Censer-Style TeacupHand Painted Yuan Sheng Lian Xi Censer-Style Teacup
    $424.99

    This teacup is made in the style of the Yuan dynasty blue and white porcelain, completely handmade and hand painted. The pattern of “一鹭莲科” or “一路连科” in Chinese culture is derived from the beautiful combination of the heron and lotus leaves. As “鹭” (heron) and “路” (path/road) have the same pronunciation, and “莲” (lotus) sounds like “连” (successive/continuous), the name “一路连科” is a play on words that conveys the beautiful meaning of the pattern. In ancient times, successive successful candidates in the imperial examinations were called “连科,” and “一路连科” is a good wish for students to have a smooth career path and achieve success step by step.

    For Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

    The evolution of Yuan blue and white is based on the foundation of Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using the pigment made from domestic materials.

    The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

    While this Lian Sheng Yuan Xi teacup retains the bold and rich coloration of classic Yuan blue and white porcelain, its tin-spot effect is relatively subtle, giving it a more delicate and refined appearance. The overall aesthetic is graceful and elegant, embodying a scholarly charm. Compared to the traditionally bold and unrestrained Yuan blue and white style, this piece leans towards a more understated and sophisticated aesthetic, blending classic heritage with a softer, more literary elegance. It brings a sense of warmth and refinement to any tea session, offering a harmonious balance between history and artistry.

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  • Wujie Fair CupWujie Fair Cup
    $23.99

    This fair cup is crafted using the traditional white slip technique, offering a raw yet refined texture that highlights the unique beauty of handmade pottery. The exterior features a richly textured surface, reminiscent of the natural skin of the earth, while the interior is coated with a smooth, delicate white glaze. This contrast between the rough and the refined creates a harmonious balance of rustic charm and elegance.

    Design Highlights:

    • White Slip Technique: The exterior is finished with the white slip glazing method, allowing the clay body to reveal a soft, misty white gradient. This process gives the piece a warm, timeworn patina, making each one uniquely distinct.
    • Organic Texture: The hand-shaped body showcases flowing woodgrain-like patterns, offering a tactile, natural feel that exudes simplicity and authenticity.
    • Smooth Pouring Spout: Designed with a gracefully curved spout, ensuring a seamless, drip-free pour for a more refined tea-serving experience.
    • Wide-Mouth Design: The broad opening allows for easy observation of the tea liquor’s color while ensuring an even, controlled flow, reducing tea sediment accumulation.
    • Stable Base: Well-proportioned footed base provides stability, making it an ideal companion for various tea settings.

    This fair cup seamlessly blends traditional craftsmanship with contemporary aesthetics, making it a practical and elegant addition to any tea ceremony. Its rustic texture and warm glazing lend a sense of ritual to every pour, enhancing the overall tea experience.

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  • Kiln-Transformed Aurora Blue Glaze Gourd-Shaped High Fairness CupKiln-Transformed Aurora Blue Glaze Gourd-Shaped High Fairness Cup Out of Stock
    $43.99

    This Kiln-Transformed Aurora Blue Glaze Gourd-Shaped Fairness Cup is a fine piece that combines traditional craftsmanship with modern aesthetics. Its unique design and variable glaze color present a stunning aurora-like effect.

    Design and Appearance

    • Shape: The fairness cup features a gourd-shaped design with smooth, flowing lines, making it both aesthetically pleasing and practical. The design of the spout allows for controlled pouring, preventing spills.
    • Glaze Color: The exterior glaze is primarily aurora blue, showcasing a rich variety of colors. It transitions from deep blue to soft white, resembling the dance of the aurora in the night sky. The interior glaze is mainly purple and blue, presenting a mysterious starry sky effect.

    Craftsmanship and Techniques

    • Kiln-Transformation Technique: Kiln-transformation involves controlling the temperature and atmosphere during firing to create natural and unpredictable changes in the glaze. Each kiln-transformed porcelain piece is unique, with different glaze colors and patterns. This fairness cup’s glaze naturally flows during firing, creating beautiful color gradients and texture effects.
    • Aurora Blue Glaze: Aurora blue glaze is a special type of glaze that, after high-temperature firing, presents variations in blue and other colors. This glaze is not only visually stunning but also highly durable and resistant to corrosion.

    Function and Practicality

    • Purpose of the Fairness Cup: In tea ceremonies, a fairness cup is used to evenly distribute tea, ensuring each participant receives tea of the same concentration. The gourd-shaped design is not only beautiful but also offers a comfortable grip and practical use.
    • Artistic Value: This fairness cup is not just a practical tea utensil but also a piece of art. Its unique glaze color variation and elegant shape make it highly collectible and visually appealing.

    This Kiln-Transformed Aurora Blue Glaze Gourd-Shaped Fairness Cup is a charming tea utensil, whether for daily use or as a collectible art piece. Every use is an appreciation and enjoyment of traditional craftsmanship and modern aesthetics.

    Attention:

    • Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
    • The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
    • Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
    • Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
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  • Kiln-Transformed Aurora Blue Glaze Gourd-Shaped Fairness CupKiln-Transformed Aurora Blue Glaze Gourd-Shaped Fairness Cup
    $39.99

    This Kiln-Transformed Aurora Blue Glaze Gourd-Shaped Fairness Cup is a fine piece that combines traditional craftsmanship with modern aesthetics. Its unique design and variable glaze color present a stunning aurora-like effect.

    Design and Appearance

    • Shape: The fairness cup features a gourd-shaped design with smooth, flowing lines, making it both aesthetically pleasing and practical. The design of the spout allows for controlled pouring, preventing spills.
    • Glaze Color: The exterior glaze is primarily aurora blue, showcasing a rich variety of colors. It transitions from deep blue to soft white, resembling the dance of the aurora in the night sky. The interior glaze is mainly purple and blue, presenting a mysterious starry sky effect.

    Craftsmanship and Techniques

    • Kiln-Transformation Technique: Kiln-transformation involves controlling the temperature and atmosphere during firing to create natural and unpredictable changes in the glaze. Each kiln-transformed porcelain piece is unique, with different glaze colors and patterns. This fairness cup’s glaze naturally flows during firing, creating beautiful color gradients and texture effects.
    • Aurora Blue Glaze: Aurora blue glaze is a special type of glaze that, after high-temperature firing, presents variations in blue and other colors. This glaze is not only visually stunning but also highly durable and resistant to corrosion.

    Function and Practicality

    • Purpose of the Fairness Cup: In tea ceremonies, a fairness cup is used to evenly distribute tea, ensuring each participant receives tea of the same concentration. The gourd-shaped design is not only beautiful but also offers a comfortable grip and practical use.
    • Artistic Value: This fairness cup is not just a practical tea utensil but also a piece of art. Its unique glaze color variation and elegant shape make it highly collectible and visually appealing.

    This Kiln-Transformed Aurora Blue Glaze Gourd-Shaped Fairness Cup is a charming tea utensil, whether for daily use or as a collectible art piece. Every use is an appreciation and enjoyment of traditional craftsmanship and modern aesthetics.

    Attention:

    • Kiln-fired glaze variations are often unpredictable and can result in a wide range of colours from a single firing.
    • The porosity of ceramics varies depending on the materials used, the recipe, the pressure applied, the duration of pressure, the thickness of the body, the firing temperature, and the duration of firing. Generally, the finer the porcelain, the smaller the pores, while the coarser the pottery, the larger the pores.
    • Since porcelain is made from clay, the amount of iron spots present in the clay varies depending on the mineral content of the soil. These iron spots are harmless and do not affect the use of the porcelain. Removing them would require the use of chemical materials, which can be damaging to high-quality porcelain.
    • Handmade products are not perfect, and each piece can have differences in size, shape, colour, and other aspects.
    Add to cart
  • Hand Painted Peony Tea SetHand Painted Peony Tea Set
    $280.99

    The style of this super beautiful Gaiwan is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern features the classic design of intertwining Peony branches.

    Peony, one of the beloved traditional patterns in our country, holds a special place in the hearts of the Chinese people with its lush and vibrant appearance and striking colors. As a symbol of our national spirit, it embodies the beautiful aspirations and good wishes for life, symbolizing the prosperity and longevity of the Chinese nation, with a history that stretches far into the past. The intertwined peony, known as “Wanshou Teng” or “Peony with Entwined Branches,” is a traditional auspicious pattern, that represents joyous occasions. Its continuous interlocking structure also conveys the meaning of “endless vitality” or “continuous growth.”

    In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the Gaiwan but also imbue it with a unique sense of history.

    This Gaiwan exudes a charming style reminiscent of imitating the essence of Yuan Dynasty tea sets.

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  • Hand Painted Horseshoe Shaped Bao Xiang Gaiwan SetHand Painted Horseshoe Shaped Bao Xiang Gaiwan Set Out of Stock
    $169.99

    This Gaiwan is completely handmade and hand-painted. The special craft used in this teaware includes Blue and white underglaze colour and underglaze red. The special horseshoe-shaped design allows for easy handling and prevents becoming too hot to touch.

    The pattern featured is called “Bao Xiang” in Chinese, which is a traditional decorative motif representing one of the auspicious three treasures (Bao Xiang flower, Money tree, and Treasure basin), prevalent during the Sui and Tang dynasties in China. Bao Xiang pattern is also known as ‘Bao Xian Hua’ or ‘Bao Lian Hua’. Its lines are clear, and the colour is serene and antique. The Bao Xiang pattern design of this teaware is neat, and complex but not messy, and the whole picture of it is full and rich in details.

    In Chinese culture, the Bao Xiang pattern symbolizes auspiciousness and happiness, representing people’s aspirations for happiness. It is widely popular in the decoration of silk brocade, bronze mirrors, and porcelain, showcasing people’s pursuit of a better life.

    This Gaiwan features smooth and concise curves, combining the unique beauty of the Bao Xiang pattern, creating a visually appealing and enjoyable tea-drinking experience. The blue and red underglaze colours complement each other and create a beautiful radiance.

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  • Hand Painted Bao Xiang Gaiwan SetHand Painted Bao Xiang Gaiwan Set Out of Stock
    $130.99

    This Gaiwan is completely handmade and hand-painted. The pattern featured is called “Bao Xiang” in Chinese, which is a traditional decorative motif representing one of the auspicious three treasures (Bao Xiang flower, Money tree, and Treasure basin), prevalent during the Sui and Tang dynasties in China. Bao Xiang pattern is also known as ‘Bao Xian Hua’ or ‘Bao Lian Hua’. Its lines are clear, and the colour is serene and antique. The Bao Xiang pattern design of this teaware is neat, and complex but not messy, and the whole picture of it is full and rich in details.

    In Chinese culture, the Bao Xiang pattern symbolizes auspiciousness and happiness, representing people’s aspirations for happiness. It is widely popular in the decoration of silk brocade, bronze mirrors, and porcelain, showcasing people’s pursuit of a better life.

    This Gaiwan features smooth and concise curves, combining the unique beauty of the Bao Xiang pattern, creating a visually appealing and enjoyable tea-drinking experience.

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  • Hand Painted Chanzhi Lian Flat Bottom GaiwanHand Painted Chanzhi Lian Flat Bottom Gaiwan Out of Stock
    $502.99

    The style of this super beautiful Gaiwan is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern features the classic design of intertwining lotus branches (Chanzhi Lian).

    Chanzhi Lian, also known as ‘intertwining lotus branches’ or ‘Interlock Branch Lotus’, is a Chinese decorative motif with the symbolism of “flowers within flowers, blossoms within leaves.” It is also referred to as the “Wanshou Teng,” representing auspiciousness and longevity due to its continuous and interconnected structure, symbolizing the concept of “endless vitality.” In addition, in traditional Chinese Confucian culture, the lotus is seen as the embodiment of truth, goodness, and beauty, as well as a symbol of Buddhism. The pronunciation of “Lian” is similar to the word “continuous” in Chinese, further expressing the idea of continuous growth and conveying positive wishes and emotions.

    As part of Chinese traditional ornamentation, Chanzhi Lian has been passed down through generations, reflecting its own beauty and cultural significance with a unique artistic charm. The lotus possesses a sacred and pure temperament, being beautiful without being ostentatious and magnificent without being vulgar. It is precisely because of this aesthetic appeal that Chanzhi Lian has become a decorative pattern applied to various aspects of life.

    The Ruyi motifs on the outside of this flat-bottom Gaiwan also carry auspicious meanings. The Ruyi symbolizes auspiciousness and good fortune. Its rounded and flawless form embodies blessings, satisfaction, and wishes fulfilled. Underneath its graceful appearance, it holds profound significance, representing the auspicious and delightful ideals of good fortune and contentment.

    In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the Gaiwan but also imbue it with a unique sense of history.

    The delicate brushstrokes and intricate detailing of the painting on this Gaiwan create a distinct sense of aesthetic appeal. The stunning underglaze blue, along with the heavy tin glaze, gives it a bold and intense beauty. This Gaiwan exudes a simple yet luxuriant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.

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  • Hand Painted Enamel Butterfly Loves Flower GaiwanHand Painted Enamel Butterfly Loves Flower Gaiwan Out of Stock
    $652.99

    This Gaiwan is handcrafted using the technique of Blue-and-white underglaze colour and enamel glazed painting. The design features a pattern of butterflies amid flowers, displaying rich and lifelike colours, creating a unique and charming ambiance.

    Blue and White Enamel is a distinctive porcelain decoration technique that combines the traditional methods of blue and white with enamel. It is a variation of the traditional Chinese porcelain production, blending the characteristics of blue and white with enamel, resulting in a captivating and unique decorative style.

    Blue and White refers to the technique of painting blue patterns on the porcelain surface. It originated during the Yuan dynasty but reached its peak during the Ming and Qing dynasties. This decorative method uses cobalt oxide blue pigments that fuse with the porcelain surface at high temperatures, ensuring the patterns’ durability.

    Enamel, on the other hand, is a decorative technique that involves transplanting the cloisonné enamel method onto a porcelain body as an overglaze colour decoration. Enamel decoration on porcelain, known as “Fàlángcǎi” in Chinese, entails painting colourful patterns on the porcelain surface and then firing it at high temperatures to fuse the colours with the porcelain, achieving a durable and splendid design. These patterns often feature exquisite themes such as flowers, birds, figures, and landscapes, reflecting the essence of traditional Chinese culture and art.

    The process of creating enamel decorations is extremely intricate and complex, requiring skilled and experienced craftsmen. First, the porcelain prototype is made, and then special mineral pigments are used to paint patterns on its surface. Once the painting is completed, a series of firing processes follow, during which the temperature and timing for both the porcelain and the enamel colours are crucial factors. Improper temperature or timing can result in cracks in the porcelain or unstable colours. Enamel decoration is considered a treasure in traditional Chinese craftsmanship, representing the wisdom and skills of ancient Chinese artisans.

    The combination of blue and white enamel unites these two techniques, typically starting with the blue and white technique to depict blue patterns, and then applying enamel decoration to add additional colours and enhance the visual effect and three-dimensional sense of the design. This decorative method enriches the patterns on the porcelain while preserving the distinctive features of both blue and white and enamel techniques. During the Ming and Qing dynasties, blue and white enamel reached its peak and became one of the main styles for porcelain decoration at that time.

    The design of this Gaiwan showcases lifelike patterns of butterflies amid flowers. “Butterflies in Love with Flowers” symbolizes sweet love and blissful marriage. In recent times, people have endowed this motif with more profound meanings, expressing good wishes and symbolizing beautiful and prosperous love. Butterflies are often seen as symbols of happiness and love, inspiring and captivating people’s imagination, and aspirations. In traditional Chinese literature, a pair of flying butterflies represents the pursuit of free and passionate love. Butterflies are loyal to their mates, having only one partner throughout their lives, making them a symbol of fidelity in the insect world. Moreover, there is a beautiful Chinese folktale known as “The Butterfly Lovers,” which further enhances the symbolism of sweet love and harmonious marriage associated with the motif of butterflies and flowers.

    This enamel-decorated Gaiwan displays a rich and colourful palette, with lively and dynamic brushstrokes, immersing people in an elegant artistic ambiance while enjoying their tea.

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  • Hand painted Chanzhi Lian GaiwanHand painted Chanzhi Lian Gaiwan
    $587.99

    The style of this super beautiful Gaiwan is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern features the classic design of intertwining lotus branches (Chanzhi Lian).

    Chanzhi Lian, also known as ‘intertwining lotus branches’ or ‘Interlock Branch Lotus’, is a Chinese decorative motif with the symbolism of “flowers within flowers, blossoms within leaves.” It is also referred to as the “Wanshou Teng,” representing auspiciousness and longevity due to its continuous and interconnected structure, symbolizing the concept of “endless vitality.” In addition, in traditional Chinese Confucian culture, the lotus is seen as the embodiment of truth, goodness, and beauty, as well as a symbol of Buddhism. The pronunciation of “Lian” is similar to the word “continuous” in Chinese, further expressing the idea of continuous growth and conveying positive wishes and emotions.

    As part of Chinese traditional ornamentation, Chanzhi Lian has been passed down through generations, reflecting its own beauty and cultural significance with a unique artistic charm. The lotus possesses a sacred and pure temperament, being beautiful without being ostentatious and magnificent without being vulgar. It is precisely because of this aesthetic appeal that Chanzhi Lian has become a decorative pattern applied to various aspects of life.

    In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the Gaiwan but also imbue it with a unique sense of history.

    The delicate brushstrokes and intricate detailing of the painting on this Gaiwan create a distinct sense of aesthetic appeal. The soft and elegant shade of underglaze blue, along with a hint of faint tin glaze, gives it a graceful and ethereal beauty under the light. This Gaiwan exudes a simple yet elegant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.

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  • Hand Painted Twin Lotus Gaiwan - ShortHand Painted Twin Lotus Gaiwan - Short Out of Stock
    $502.99
    [vc_row et_row_padding="true" el_class="p-variations"][vc_column width="1/3" offset="vc_col-xs-4"][et_image alignment="aligncenter" image="30301" img_link="url:/p/hand-painted-twin-lotus-gaiwan-tall/"][/et_image][/vc_column][vc_column width="1/3" offset="vc_col-xs-4"][et_image alignment="aligncenter" image="30274" extra_class="p-current"][/et_image][/vc_column][vc_column width="1/3" offset="vc_col-xs-4"][/vc_column][/vc_row]

    The style of this super beautiful Gaiwan is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern on the lid features a classic design of intertwining lotus branches (known as Chanzhi Lian), while the pattern on the body of Gaiwan showcases the traditional Chinese twin lotus motif. The design of the tall style with an outward-flared mouth extends the curvature of the Gaiwan, making it less likely to scald one’s hand during use. The short style, on the other hand, is delicate and compact, with a thicker body, suitable for tea drinkers with smaller hands.

    In ancient China, the twin lotus due to its symbolic meaning is regarded as the gentleman among flowers. It represents the finest specimen among lotus flowers and symbolises a harmonious and everlasting union. The twin lotus, with one stem and two blooms, epitomizes the notion of unity, shared roots, shared blessings, and shared existence. Besides that, in ancient literary works, the twin lotus is acclaimed as a symbol of love, conveying the message of marital harmony, happiness, and representing the tender affection between lovers. It is also associated with deep brotherly love, signifying profound emotional bonds between siblings. In folklore, the appearance of twin lotus is considered an auspicious sign of good fortune.

    In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the Gaiwan but also imbue it with a unique sense of history.

    The delicate brushstrokes and intricate detailing of the painting on this Gaiwan create a distinct sense of aesthetic appeal. The soft and elegant shade of underglaze blue, along with a hint of faint tin glaze, gives it a graceful and ethereal beauty under the light. This Gaiwan exudes a simple yet elegant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.

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  • Hand Painted Twin Lotus Gaiwan - TallHand Painted Twin Lotus Gaiwan - Tall Out of Stock
    $502.99
    [vc_row et_row_padding="true" el_class="p-variations"][vc_column width="1/3" offset="vc_col-xs-4"][et_image alignment="aligncenter" image="30301" extra_class="p-current"][/et_image][/vc_column][vc_column width="1/3" offset="vc_col-xs-4"][et_image alignment="aligncenter" image="30274" img_link="url:%2Fp%2Fhand-painted-twin-lotus-gaiwan-short%2F"][/et_image][/vc_column][vc_column width="1/3" offset="vc_col-xs-4"][/vc_column][/vc_row]

    The style of this super beautiful Gaiwan is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern on the lid features a classic design of intertwining lotus branches (known as Chanzhi Lian), while the pattern on the body of Gaiwan showcases the traditional Chinese twin lotus motif. The design of the tall style with an outward-flared mouth extends the curvature of the Gaiwan, making it less likely to scald one’s hand during use. The short style, on the other hand, is delicate and compact, with a thicker body, suitable for tea drinkers with smaller hands.

    In ancient China, the twin lotus due to its symbolic meaning is regarded as the gentleman among flowers. It represents the finest specimen among lotus flowers and symbolises a harmonious and everlasting union. The twin lotus, with one stem and two blooms, epitomizes the notion of unity, shared roots, shared blessings, and shared existence. Besides that, in ancient literary works, the twin lotus is acclaimed as a symbol of love, conveying the message of marital harmony, happiness, and representing the tender affection between lovers. It is also associated with deep brotherly love, signifying profound emotional bonds between siblings. In folklore, the appearance of twin lotus is considered an auspicious sign of good fortune.

    In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the Gaiwan but also imbue it with a unique sense of history.

    The delicate brushstrokes and intricate detailing of the painting on this Gaiwan create a distinct sense of aesthetic appeal. The soft and elegant shade of underglaze blue, along with a hint of faint tin glaze, gives it a graceful and ethereal beauty under the light. This Gaiwan exudes a simple yet elegant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.

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  • Hand Painted Phoenix Chanzhi Lian GaiwanHand Painted Phoenix Chanzhi Lian Gaiwan
    $340.99

    This charming Gaiwan is using blue and white porcelain craftsmanship, made entirely by hand.

    One of the patterns depicts a pair of phoenixes. The phoenix, known as the “Fenghuang” in Chinese, is a mythical bird considered to be the king of all birds and a symbol of auspiciousness, beauty, and grace. It represents virtue, harmony, and the union of yin and yang. When depicted as a pair, the double phoenix symbolizes the ideal relationship between a male and a female. It represents the union of two exceptional individuals or the coming together of two extraordinary things. It signifies a harmonious and balanced partnership, whether in love, marriage, or any collaborative endeavour. The double phoenix is often associated with blessings, prosperity, and good fortune. It is believed to bring luck, happiness, and success, as well as symbolize marital bliss, loyalty, and everlasting love.

    Another pattern used on this Gaiwan is Chanzhi Lian. Chanzhi Lian, also known as “Interlock Branch Lotus,” is a Chinese decorative motif with the symbolism of “flowers within flowers, blossoms within leaves.” It is also referred to as the “Wanshou Teng,” representing auspiciousness and longevity due to its continuous and interconnected structure, symbolizing the concept of “endless vitality.” In addition, in traditional Chinese Confucian culture, the lotus is seen as the embodiment of truth, goodness, and beauty, as well as a symbol of Buddhism. The pronunciation of “Lian” is similar to the word “continuous” in Chinese, further expressing the idea of continuous growth and conveying positive wishes and emotions.

    As part of Chinese traditional ornamentation, Chanzhi Lian has been passed down through generations, reflecting its own beauty and cultural significance with a unique artistic charm. The lotus possesses a sacred and pure temperament, being beautiful without being ostentatious and magnificent without being vulgar. It is precisely because of this aesthetic appeal that Chanzhi Lian has become a decorative pattern applied to various aspects of life.

    The texture of this Gaiwan is delicate and smooth, and the painting is lively and lifelike. The entire production process is completed by hand, with every detail carefully designed and polished, giving this Gaiwan a unique artistic charm. This tea ware by imitating the shape and style of traditional Chinese tea ware, allowing people to appreciate the charm of traditional art and experience the flavour of history. The elegant lines, smooth curves, and delicate decorations present a sense of refined and harmonious beauty, allowing people to experience pleasure and artistic enjoyment while tasting tea.

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  • Hand Painted Yuan Style Heron and Lotus Pu-erh GaiwanHand Painted Yuan Style Heron and Lotus Pu-erh Gaiwan
    $182.99

    This Gaiwan is made in the style of the Yuan dynasty blue and white porcelain, completely handmade and hand-painted. The pattern of “一鹭莲科” or “一路连科” in Chinese culture is derived from the beautiful combination of the heron and lotus leaves. As “鹭” (heron) and “路” (path/road) have the same pronunciation, and “莲” (lotus) sounds like “连” (successive/continuous), the name “一路连科” is a play on words that conveys the beautiful meaning of the pattern. In ancient times, successive successful candidates in the imperial examinations were called “连科,” and “一路连科” is a good wish for students to have a smooth career path and achieve success step by step.

    For Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with an extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

    The evolution of Yuan blue and white is based on the foundation of the Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using pigment made from domestic materials.

    The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

    This Gaiwan has a thick body and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this Gaiwan a unique artistic charm.

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  • Hand Painted Bao Xiang Gaiwan SetHand Painted Bao Xiang Gaiwan Set
    From: $254.99

    This tea set is completely handmade and hand-painted. The pattern featured is called “Bao Xiang” in Chinese, which is a traditional decorative motif representing one of the auspicious three treasures (Bao Xiang flower, Money tree, and Treasure basin), prevalent during the Sui and Tang dynasties in China. Bao Xiang pattern is also known as ‘Bao Xian Hua’ or ‘Bao Lian Hua’. Its lines are clear, and the colour is serene and antique. The Bao Xiang pattern design of this teaware is neat, and complex but not messy, and the whole picture of it is full and rich in details.

    In Chinese culture, the Bao Xiang pattern symbolizes auspiciousness and happiness, representing people’s aspirations for happiness. It is widely popular in the decoration of silk brocade, bronze mirrors, and porcelain, showcasing people’s pursuit of a better life.

    This tea set features smooth and concise curves, combining the unique beauty of the Bao Xiang pattern, creating a visually appealing and enjoyable tea-drinking experience.

    This tea set includes:

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  • Hand Painted Za Bao Chicken Heart Tea CupHand Painted Za Bao Chicken Heart Tea Cup
    $421.99

    The style of this super beautiful teacup is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted.

    This cup is adorned with intricate blue and white patterns of interwoven branches and miscellaneous treasures (Za Bao in Chinese) on the outer wall, with a lotus petal pattern encircling the base. The interior of the cup is fully covered in blue and white patterns of Baoxiang flowers and Ruyi motifs, creating an overall design that is rich and detailed, with smooth and flowing lines. The blue and white colours are deep and elegant, with a white glaze featuring subtle flashes of blue. The glaze surface is glossy, and the texture is smooth. The cup has a lightweight and elegant shape, achieving a harmonious balance between practicality and aesthetics. At the bottom, there is a chicken-heart-shaped protrusion, hence the name ‘chicken-heart teacup’.

    In ancient China, the intertwined branch pattern represented the concept of endless growth and lasting wealth and prosperity, symbolizing longevity, and prosperity. And the miscellaneous treasures (Za Bao in Chinese) pattern symbolizes various decorative motifs that bring good luck and auspiciousness. Due to the absence of a fixed number and combination of elements, it is commonly known as the “miscellaneous treasures” pattern. The miscellaneous treasures pattern encompasses the common aspirations of society for power, wealth, love, happiness, longevity, and pleasure, making it a popular and cherished design in folk art.

    The Baoxiang flowers inside the cup symbolize good luck, harmony, happiness, and prosperity. The Ruyi motif’s auspiciousness, combining profound meaning with graceful form, represents the auspicious, favourable implications.

    In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the teacup but also imbue it with a unique sense of history.

    The body of this teacup is smooth and well-lubricated, while the underglaze blue patterns are vivid and lifelike. The faint tin specks add a touch of charm from a bygone era, evoking a sense of nostalgia and natural beauty, making it exquisitely graceful. Each stroke of the underglaze blue decoration is delicate and captivating, bringing the design to life. The intricate and refined patterns showcase the artist’s profound artistic skills.

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  • Hand painted Chanzhi Lian Tea CupHand painted Chanzhi Lian Tea Cup
    $336.99

    The style of this super beautiful teacup is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern features the classic design of intertwining lotus branches (Chanzhi Lian).

    Chanzhi Lian, also known as ‘intertwining lotus branches’ or ‘Interlock Branch Lotus’, is a Chinese decorative motif with the symbolism of “flowers within flowers, blossoms within leaves.” It is also referred to as the “Wanshou Teng,” representing auspiciousness and longevity due to its continuous and interconnected structure, symbolizing the concept of “endless vitality.” In addition, in traditional Chinese Confucian culture, the lotus is seen as the embodiment of truth, goodness, and beauty, as well as a symbol of Buddhism. The pronunciation of “Lian” is similar to the word “continuous” in Chinese, further expressing the idea of continuous growth and conveying positive wishes and emotions.

    As part of Chinese traditional ornamentation, Chanzhi Lian has been passed down through generations, reflecting its own beauty and cultural significance with a unique artistic charm. The lotus possesses a sacred and pure temperament, being beautiful without being ostentatious and magnificent without being vulgar. It is precisely because of this aesthetic appeal that Chanzhi Lian has become a decorative pattern applied to various aspects of life.

    In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the teacup but also imbue it with a unique sense of history.

    The delicate brushstrokes and intricate detailing of the painting on this teacup create a distinct sense of aesthetic appeal. The soft and elegant shade of underglaze blue, along with a hint of faint tin glaze, gives it a graceful and ethereal beauty under the light. This teacup exudes a simple yet elegant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.

    Add to cart
  • Hand Painted Twin Lotus Tea CupHand Painted Twin Lotus Tea Cup
    $421.99

    The style of this super beautiful teacup is Ming, using the underglaze blue technique, and entirely handcrafted and hand painted. The pattern on the body of the teacup showcases the traditional Chinese twin lotus motif.

    In addition, the beautiful tin spots on the porcelain add even more unique charm to it. The formation of tin spots is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration. This tin glazes not only add a rustic texture to the teacup but also imbue it with a unique sense of history.

    The delicate brushstrokes and intricate detailing of the painting on this teacup create a distinct sense of aesthetic appeal. The soft and elegant shade of underglaze blue, along with a hint of faint tin glaze, gives it a graceful and ethereal beauty under the light. This teacup exudes a simple yet elegant charm, reminiscent of the style of imitation Ming, making it truly captivating and irresistible.

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  • Hand Painted Yuan Blue-and-white Dragon Master Tea CupHand Painted Yuan Blue-and-white Dragon Master Tea Cup
    $287.99

    This master teacup is made in the style of the Yuan dynasty blue and white porcelain, completely handmade and hand-painted. The entire painting exudes a strong sense of antiquity, with bold and vigorous lines, and the dragon pattern appears vivid and lifelike.

    In Chinese culture, the dragon is a very important symbol and totem with rich symbolism. Firstly, the dragon is one of the most sacred, authoritative, and noble images in ancient Chinese culture. It is the incarnation of the gods of heaven, earth, and water, representing supreme authority and divine power. Secondly, the dragon is considered a symbol of good luck in Chinese culture. As it has the special power to control rainfall, it is also seen as the protector of agriculture, representing a bountiful harvest and prosperity. Additionally, the dragon has many other symbolic meanings, such as longevity, authority, success, courage, and wisdom. In traditional Chinese culture, the dragon is a noble, mysterious, and awe-inspiring image, representing people’s yearning for the unknown and the spirit of exploration.

    Besides, for Yuan blue and white porcelain refers to the blue and white porcelain produced during the Yuan dynasty (1271-1368) in China. The Yuan dynasty was an important period in the history of Chinese porcelain and one of the peaks of Chinese porcelain art. As one of the representatives of that era, Yuan blue and white porcelain exhibited unique artistic styles and technical levels. The characteristic of Yuan blue and white is the use of cobalt blue pigment for painting, which is made of cobalt oxide. After firing, the colour is bright and rich, with an extremely high decorative effect. Yuan blue and white porcelain has various shapes, thick and heavy, concise, and fluent lines, and stable and solemn shapes, all made exquisitely.

    The evolution of Yuan blue and white is based on the foundation of the Tang and Song celadon. Firstly, the glaze colour was improved and innovated. Unique white glaze, eggshell glaze, and blue-white glaze were invented to make the glaze crystal clear. Cobalt pigment was imported for glaze colouring. Or using pigment made from domestic materials.

    The formation of tin spots on Yuan blue and white is due to the high content of iron elements in local parts of the blue pigment. After reaching saturation in the high-temperature glaze solution and cooling down, the iron elements in the supersaturated part start to precipitate. If the iron content of the blue pigment is higher and the cooling rate is appropriate, tin spots are more likely to appear on the surface of the ware.

    In addition to firing and materials, the formation of tin spots also involves the factor of glaze material. During the painting process, tin spots can also be formed due to the accumulation of blue pigment. Tin spots are more likely to appear on the surface of the ware at the intersections and the starting and ending points of brushstrokes. The formation of tin spots can be said to be a natural creation or an artificial decoration.

    This master teacup has a smooth and lustrous texture and uses the Su Ma Li Qing glaze material (a kind of blue pigment), with a heavy sense of tin spots, revealing a unique charm of the past era. The entire production process is completed by hand, and every detail has been carefully designed and polished, giving this teacup a unique artistic charm. The blue and white dragon pattern is vivid, showcasing ancient cultural and aesthetic values, allowing people to immerse themselves in a beautiful artistic atmosphere while enjoying their tea.

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